We respond to a drama to that extent to which it corresponds to our dreamlife.
The product of the artist has become less important than the fact of the artist. We wish to absorb this person. We wish to devour someone who has experienced the tragic. In our society this person is much more important than anything he might create.
The poker player learns that sometimes both science and common sense are wrong; that the bumblebee can fly; that, perhaps, one should never trust an expert; that there are more things in heaven and earth than are dreamt of by those with an academic bent.
In a world we find terrifying, we ratify that which doesn't threaten us.
Policemen so cherish their status as keepers of the peace and protectors of the public that they have occasionally been known to beat to death those citizens or groups who question that status.
The Oscars demonstrate the will of the people to control and judge those they have elected to stand above them (much, perhaps, as in bygone days, an election celebrated the same).
In a restaurant one is both observed and unobserved. Joy and sorrow can be displayed and observed "unwittingly," the writer scowling naively and the diners wondering, What the hell is he doing?
A good film script should be able to do completely without dialogue.
We Americans have always considered Hollywood, at best, a sinkhole of depraved venality. And, of course, it is. It is not a Protective Monastery of Aesthetic Truth. It is a place where everything is incredibly expensive.
Memorable Quotations: Filmmakers
Memorable Quotations: Playwrights (A - H)
Memorable Quotations: Playwrights (I - P)
Memorable Quotations: Playwrights (Q - Z)
Memorable Quotations: Playwrights of the Past
Memorable Quotations: Screenwriters
Memorable Quotations: Screenwriters (Kindle Book)