Modern man must descend the spiral of his own absurdity to the lowest point; only then can he look beyond it. It is obviously impossible to get around it, jump over it, or simply avoid it.
A human action becomes genuinely important when it springs from the soil of a clear-sighted awareness of the temporality and the ephemerality of everything human. It is only this awareness that can breathe any greatness into an action.
Human beings are compelled to live within a lie, but they can be compelled to do so only because they are in fact capable of living in this way. Therefore not only does the system alienate humanity, but at the same time alienated humanity supports this system as its own involuntary masterplan, as a degenerate image of its own degeneration, as a record of people’s own failure as individuals.
There is only one art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth. . . . Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.
Without free, self-respecting, and autonomous citizens there can be no free and independent nations. Without internal peace, that is, peace among citizens and between the citizens and the state, there can be no guarantee of external peace.
A state that denies its citizens their basic rights becomes a danger to its neighbors as well: internal arbitrary rule will be reflected in arbitrary external relations. The suppression of public opinion, the abolition of public competition for power and its public exercise opens the way for the state power to arm itself in any way it sees fit. . . . A state that does not hesitate to lie to its own people will not hesitate to lie to other states.
The cliché organizes life; it expropriates people’s identity; it becomes ruler, defense lawyer, judge, and the law.
You do not become a “dissident” just because you decide one day to take up this most unusual career. You are thrown into it by your personal sense of responsibility, combined with a complex set of external circumstances. You are cast out of the existing structures and placed in a position of conflict with them. It begins as an attempt to do your work well, and ends with being branded an enemy of society.
Hope is definitely not the same thing as optimism. It is not the conviction that something will turn out well, but the certainty that something makes sense, regardless of how it turns out.
There’s always something suspect about an intellectual on the winning side.
Even a purely moral act that has no hope of any immediate and visible political effect can gradually and indirectly, over time, gain in political significance.
The salvation of this human world lies nowhere else than in the human heart, in the human power to reflect, in human meekness and human responsibility.
Sometimes I wonder if suicides aren’t in fact sad guardians of the meaning of life.
I think theatre should always be somewhat suspect.
There are times when we must sink to the bottom of our misery to understand truth, just as we must descend to the bottom of a well to see the stars in broad daylight.
Memorable Quotations: Czech Writers
Memorable Quotations: Playwrights (A - H)
Memorable Quotations: Playwrights (I - P)
Memorable Quotations: Playwrights (Q - Z)
Memorable Quotations: Playwrights of the Past
Memorable Quotations: Politicians (A - L)
Memorable Quotations: Politicians (M - Z)
Memorable Quotations: Politicians of the Past